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Later Poems
Contents:
La Belle Dame Sans Merci
Keats is here the magical poet, as he is the intellectual poet in the great sonnet following; and it is his possession or promise of both imaginations that proves him greater than Coleridge. In his day they seem to have found Coleridge to be a thinker in his poetry. To me he seems to have had nothing but senses, magic, and simplicity, and these he had to the utmost yet known to man. Keats was to have been a great intellectual poet, besides all that in fact he was.
Contents:
Chicago: Alice Christiana Thompson Meynell, "La Belle Dame Sans Merci," Later Poems, ed. Sutherland, Alexander, 1853-1902 and trans. Seaton, R. C. in Later Poems (New York: George E. Wood, ""Death-bed"" edition, 1892), Original Sources, accessed November 21, 2024, http://originalsources.com/Document.aspx?DocID=K8X4RNMQ42DZ1MS.
MLA: Meynell, Alice Christiana Thompson. "La Belle Dame Sans Merci." Later Poems, edited by Sutherland, Alexander, 1853-1902, and translated by Seaton, R. C., in Later Poems, New York, George E. Wood, ""Death-bed"" edition, 1892, Original Sources. 21 Nov. 2024. http://originalsources.com/Document.aspx?DocID=K8X4RNMQ42DZ1MS.
Harvard: Meynell, AC, 'La Belle Dame Sans Merci' in Later Poems, ed. and trans. . cited in ""Death-bed"" edition, 1892, Later Poems, George E. Wood, New York. Original Sources, retrieved 21 November 2024, from http://originalsources.com/Document.aspx?DocID=K8X4RNMQ42DZ1MS.
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